Good Bad Ugly (2025) Movie Movies4u
Good Bad Ugly stands as one of 2025’s most talked-about Tamil action thrillers, bringing together superstar Ajith Kumar and director Adhik Ravichandran. This action-crime drama, produced by Mythri Movie Makers with a massive budget of ₹270-300 crores, represents one of the biggest Tamil productions of the year.
| Film Title: | Good Bad Ugly |
| Main Cast: | Trisha Krishnan, Ajith Kumar, Arjun Das |
| Film Duration: | 2h 19m |
| Category: | Crime, Action, Comedy |
| Primary Star: | Ajith Kumar |
| Studio: | Mythri Movie Makers, T-Series |
| Premiere Date: | April 9, 2025 |
| Filmmaker: | Adhik Ravichandran |

The film features an impressive cast including Trisha Krishnan, Arjun Das, Jackie Shroff, Prasanna, Prabhu, Sunil, Yogi Babu, and Priya Prakash Varrier. Released on April 10, 2025, the film marks director Adhik Ravichandran’s ambitious attempt to create a stylized gangster saga.
Good Bad Ugly Movie Actors
| Actor | Character |
|---|---|
| Priya Prakash Varrier | Nithya |
| Simran | Priya |
| Karthikeya Dev | Vihaan |
| Prabhu | Jayaprakash |
| Trisha Krishnan | Ramya |
| Ajith Kumar | AK ‘Red Dragon’ |
| Jackie Shroff | Babel |
| Arjun Das | Johnny / Jammy |
| Sunil Varma | ‘Baby’ Tyson |
| Prasanna | Jaeger |



Plot and Storyline
The story revolves around AK (Ajith Kumar), a powerful gangster who surrenders to police hoping his wife and son can live peacefully. After 17 years in prison, he discovers his son has been falsely accused of serious crimes. This forces the reformed don to return to his violent ways to protect his family.
The screenplay attempts to balance family emotions with high-octane action. However, critics noted that the emotional weight doesn’t always match the film’s ambitious scope. The second half reportedly loses momentum, with pacing issues preventing the story from reaching its full potential.
Cast Performance and Character Development
Ajith Kumar delivers what many consider a career-defining performance, embodying AK with his signature style. His portrayal spans different time periods, showcasing both the ruthless gangster and reformed father with equal conviction. I found his commitment to the role impressive, serving as a comprehensive showcase of his acting range.
Trisha Krishnan returns after several years, bringing depth to her role as AK’s wife. Her performance adds emotional grounding, though I felt her character could have been given more substantial screen time. The chemistry between the lead pair works well within the dramatic framework.
The supporting cast shines with Arjun Das particularly standing out in his antagonistic role. Jackie Shroff brings veteran presence though his role appears more like an extended cameo. Yogi Babu’s comic relief provides necessary breathing space, though the comedy doesn’t always blend seamlessly.
Direction and Technical Aspects
Director Adhik Ravichandran creates a mass entertainer that celebrates Ajith Kumar’s screen presence. The film functions as a complete showreel of AK’s career, which works as both strength and weakness depending on expectations. Ravichandran focuses heavily on style over substance.
The cinematography by Abinandhan Ramanujam receives widespread praise for its visual splendor. Every frame is painted with vivid, jaw-dropping beauty, particularly during action sequences. The camera work effectively captures both gritty underworld atmosphere and intimate family moments.
GV Prakash Kumar’s music provides adequate support though it doesn’t reach memorable heights expected from a big-budget Ajith film. The background score works well during action but lacks emotional resonance for family scenes.
Critical Reception and Ratings
The film received decidedly mixed reviews from critics and audiences. On IMDb, Good Bad Ugly holds a rating of 5.7/10, though some sources report varying scores. BookMyShow users have been more generous, rating it 8.4-8.8/10 with over 100,000 votes.
Professional critics were particularly harsh. Greatandhra.com gave it just 2.25/5 stars, describing it as Good for fans, Bad for Audience. 123Telugu.com awarded 2.75/5, noting the film struggles with weak plot and lack of emotional weight.
The disparity between audience and critical scores indicates the film succeeds in delivering what Ajith fans expect while failing to convince critics seeking substantial storytelling.
Box Office Performance
Despite mixed reviews, Good Bad Ugly achieved significant commercial success. The film crossed ₹150 crore worldwide within four days, becoming the highest-grossing Tamil film of 2025. However, with its massive budget, it achieved only 42% budget recovery, making it a financial disappointment.
The film’s run concluded below ₹250 crore mark worldwide, falling short of commercial expectations. The majority of collections came from Tamil Nadu, while the Telugu market concluded quickly, indicating limited appeal beyond core fanbase.
What Works and What Doesn’t
Strengths
- Ajith Kumar’s committed performance across different character phases
- Visually stunning cinematography creating immersive gangster world
- High production values evident in every frame
- Action sequences delivering mass entertainment
- Strong supporting cast complementing lead performance
Areas for Improvement
- Weak plot structure relying too heavily on star power
- Pacing issues, particularly in second half
- Limited character development beyond protagonist
- Emotional scenes lack depth for audience investment
- Runtime needs tighter editing
- Music doesn’t reach memorable heights
My Review Experience
I went into Good Bad Ugly with high expectations given the massive budget and star cast. The film works best as Ajith Kumar showcase rather than comprehensive thriller. While I appreciated the visual spectacle and production values, the weak storyline left me wanting more substance.
The first half maintains engagement with stylish presentation and Ajith’s screen presence. However, I noticed the second half drags considerably with repetitive sequences that don’t advance the plot meaningfully. The emotional family scenes needed stronger writing to create genuine impact.
For Ajith Kumar fans, this delivers exactly what they expect – mass entertainment with high production values. For general audiences seeking substantial storytelling, it may disappoint. I’d recommend it primarily for fans who enjoy star-driven entertainment over narrative depth.
Final Verdict
Good Bad Ugly represents both possibilities and limitations of star-driven Tamil cinema. While it succeeds as celebration of Ajith Kumar’s screen presence, it falls short of creating lasting impact beyond immediate fan appeal.
The film works when viewed as entertainer designed for Ajith’s fanbase rather than comprehensive gangster thriller. The mixed critical reception alongside decent box office suggests it achieves its primary objective of entertaining fans while missing opportunity for broader cinematic impact.
Rating: 2.5/5 – Good for fans, average for general audiences.










